悠悠乐英语 6个月掌握任何一门语言 English idioms 发音训练 2021-06-15

掌握英语口语Master Spoken English

Master Spoken English-Special Edition

视频教程成于 96 年，虽然视频质量和美观度一般，但是绝对是好教材。本教材语速不慢，而且形成的系统很有趣，从慢到快从单个音标到整体篇章连读，非常棒。

This special edition e-course teaches all the core speech dynamics you need for a foundation to master spoken English.
这个特别版的E课程教你所有的核心语音动态，你需要一个基础来掌握英语口语。
You will learn to feel tone and vibration, create well-formed vowels, and develop articulated consonants. Further, there is extensive linking and phrasing practice, which is the key to fluency.
你将学会感受音调和振动，创造良好的元音，发展清晰的辅音。此外，还有广泛的连接和短语练习，这是流利的关键。
In addition, you will have full access to our newest edutainment practice material–adapted from the Academy Award nominated movie, “My Man Godfrey”, which will keep you entertained while you are practicing.
此外，您还可以完全访问我们最新的教育娱乐实践材料-改编自奥斯卡提名影片“我的男人戈弗雷”，这将使您在实践中保持娱乐。
Two original fairy tales are also included here.
两个原始的童话故事也包括在这里。
These movie scenes are broken down for word lists and phrase links, all with color-coded subtitles.
这些电影场景被分解为单词列表和短语链接，都带有彩色字幕。
Plenty to keep you involved and challenged, no matter what level of English you now speak.
无论你现在的英语水平如何，都有很多东西可以让你参与其中并接受挑战。
Speech Masters is committed to providing the highest level of training, with programs that are motivating and fun to use.
Speech Masters致力于提供最高水平的培训，提供激励性和趣味性的课程。
Master Spoken English-Feeling Phonetics
掌握英语口语语音学

这个算是Special Edition的完整版，难度扩大了，内容也大大丰富了。
“Master Spoken English – Feeling Phonics”, was published in 1996 and is now in use in 58 different countries.
“英语口语大师-语音感觉”，出版于1996年，目前在58个不同的国家使用。
Colleges and universities worldwide have recognized the need this training serves in enabling speakers of English to reach their full potential.
全世界的学院和大学都认识到这种培训有助于使英语使用者充分发挥他们的潜力。
Besides serving EFL and ESL needs, the series is used widely in learn-to-read programs.
除了满足EFL和ESL的需要外，该系列还广泛应用于学习阅读课程中。
Meeting the needs of advanced communication skills courses, and providing beginning readers with the models to master the language, the program is uniquely structured to be both multi-level and multi-purpose.
为了满足高级交际技能课程的需要，为初学者提供掌握该语言的模式，该课程结构独特，具有多层次和多用途的特点。
Phonics, as a science, has risen as the dominant tool for language learning.
语音作为一门科学，已经成为语言学习的主要工具。
“Master Spoken English – Feeling Phonics” is an encyclopedia of phonics.
“英语口语大师-语音感受”是一本语音百科全书。
Training, as it was designed to, first-graders and full-professors. Enabling readers to excel, and training speakers like professional actors.
培训，因为它的目的是，一年级学生和正式教授。让读者出类拔萃，像专业演员一样训练演讲者。

Foreword

Sometimes all at once … there’s God.” So said Tennessee Williams in one
有时一下子。。。田纳西·威廉姆斯在一本书中如是说
of his plays. Arthur Lessac is not quite God to me, but he’s certainly a piece
他的剧本。阿瑟·莱萨克对我来说不太像上帝，但他确实是一个角色
of heaven.
天堂的。
I can remember quite clearly the day I grasped his technique for the
我能清楚地记得那天我掌握了他的技巧
first time, or should I say, the day I felt it for the first time. I was standing
第一次，或者应该说，是我第一次感觉到的那一天。我当时站着
amidst a group of some thirty students. I was twenty-four years old, new to
在大约三十名学生中。我当时24岁，刚到纽约
New York, and a member of the Lincoln Center Training Program eight hours a day of Body, Voice and Acting classes to prepare us as members of the first acting troupe for the then-as-yet-unbuilt Vivian Beaumont Theatre.
作为林肯中心的一名成员，我们每天要上八个小时的身体、声音和表演课，为当时尚未建成的薇薇安博蒙特剧院准备第一个表演团的成员。
Arthur was leading us in a vocal exercise using the words: Hello Away-Until. He was trying to make us understand where to place these
亚瑟带领我们做了一个声乐练习，用了几个词：Hello Away Until。他想让我们知道这些东西放在哪里
sounds and how to project them. I wasn’t getting it. My throat was closed
声音和如何投射它们。我不明白。我的喉咙闭着
and my eyes were tearing. I would cough, tighten up, and lose my breath.
我的眼睛在流泪。我会咳嗽，紧绷，喘不过气来。
All around me were young actors with similar difficulties.
我周围都是同样困难的年轻演员。
Like any other training approach, until a certain “body truth” happens, it can seem somewhat strange. You’re asking your body to reprogram its computer and at first it rebels. Mine certainly did. I had, up
就像其他训练方法一样，在某个“身体真相”发生之前，它可能会显得有些奇怪。你要求你的身体重新编程它的电脑，一开始它会反抗。当然是我的。我有，起来
until Arthur Lessac, done okay with my voice, I thought. But I had not as
直到亚瑟·莱萨克，我的声音好了，我想。但我没有
yet really tested it on the great roles, or in extended long runs, or in cavernous old theatres. Nor had I yet come to respect its power.
然而，在伟大的角色上，或在漫长的长跑中，或在空洞的老戏院里，它确实经受了考验。我也没有开始尊重它的力量。
But this day, as Arthur walked among us loosening cheeks, directing
但这一天，亚瑟走在我们中间，松开脸颊，指挥着我们
mouths forward, correcting breathing and posture, my body decided to
嘴巴向前，纠正呼吸和姿势，我的身体决定
accept his lessons. I felt in my upper palate a tingle as if the words were
接受他的教训。我感到上颚有一种刺痛感，好像在说什么似的
born in my mouth. My breath eased, and out came a sound I had never before made. The feeling was immediate and profound. My body said, “Yes.”
生在我嘴里。我的呼吸缓和了，发出了一种我以前从未发出过的声音。这种感觉是直接而深刻的。我的身体说：“是的。”
Arthur heard it and said, “Yes, Frank, yes.” “God” spoke, and from that moment on I was free. The way you are free when you finally learn to swing a
亚瑟听到后说：“是的，弗兰克，是的。”“上帝”说话了，从那一刻起我就自由了。当你终于学会挥杆的时候你是自由的
bat, or play a scale, or when you effortlessly pull up on your skis for the first
当你第一次不费吹灰之力地拉起你的滑雪板时
time. You may fall down from time to time, but you’ve got it forever.
时间。你可能会时不时地跌倒，但你永远都会跌倒。

Introduction

介绍
The subject of this book is vocal life. Although it is a resource for anyone
这本书的主题是声乐生活。尽管它是任何人的资源
who wants a beautiful voice and who requires clear, articulate speech, I
谁想要一个美丽的声音，谁需要清晰，清晰的讲话，我
address this revised edition primarily to teachers and students of acting
本修订版主要面向演艺专业的师生
at colleges, universities, and private studios and to professional actors
在学院，大学，私人工作室和专业演员
working in theatre, film, and television. Regardless of what level you have
从事戏剧、电影和电视工作。不管你的水平如何
reached in your teaching or acting careers, you will, I hope, find the process laid out here immediately accessible, applicable, and empowering.
我希望，在你的教学或表演生涯中，你会发现这里列出的过程可以立即访问、适用和授权。
It will describe goals you can relate to and ways to reach them. Through
它将描述你可以联系到的目标和实现它们的方法。通过
your own searching, discovering, and doing, you will fully understand the
你自己的探索、发现和行动，你将完全理解
feeling of complete mastery of voice and speech and its relatedness to the
完全掌握声音和语言的感觉及其与语言的关系
quality of performance. This book is about finding your own voice, rediscovering your own originality, reexploring your artistic skills and talents,
性能质量。这本书是关于寻找你自己的声音，重新发现你自己的独创性，重新发掘你的艺术技巧和才华，
and reinforcing and expanding your communicating personality. Terms
加强和扩大你的沟通个性。条款
that may be unfamiliar are defined in the text, footnotes, and glossary.
文本、脚注和术语表中定义了可能不熟悉的内容。
Hopefully, you will find that Lessac training is not a rigid step-by-step
希望你会发现Lessac的训练不是一步一步的僵化
progression. The new order of this book reflects a circular sequence that
进展。这本书的新顺序反映了一个循环顺序
has worked extremely well and with maximum flexibility in studios and in
在演播室和电视台工作得非常好，有着最大的灵活性
workshops. Feel free to adapt and experiment along the way. Wander
研讨会。在这一过程中，您可以自由地进行调整和实验。游荡
through the chapters at will, but with curiosity and awareness. You will
随意翻阅这些章节，但要带着好奇心和觉悟。你会
find the book’s principles, experiments, and explorations part of an innate, vital whole, and, as such, you may enter the training at any point as
找到这本书的原理、实验和探索是一个与生俱来的、至关重要的整体的一部分，这样，你就可以在任何时候进入训练
a viable starting place. Because of its natural circuitry, Lessac training
一个可行的起点。因为它的自然电路，Lessac训练
employs a dynamic rhythm and balance to lead you progressively through
采用动态的节奏和平衡，引导你逐步通过
the training circle with all the other parts always connected, always in
训练圈与所有其他部分总是联系在一起的，总是在一起的
motion.
运动。

Whatever else you gain from this book, I hope you will find yourself
无论你从这本书中得到了什么，我希望你能找到自己
exploring the idea that nothing stands alone, isolated, or encapsulated
探索没有什么是独立的、孤立的或封闭的
not your voice, your speech, your body, or any of the modalities through
不是你的声音，你的语言，你的身体，或任何形式通过
which you perceive, feel, emote, or physicalize expression. Everything,
你感知、感觉、情感化或物理化的表达。一切，
whether simple or radical, is a unique part of something else, for nothing
无论是简单的还是激进的，都是其他事物的独特部分，毫无意义
functions well enough until it functions in balanced relationship with
功能足够好，直到它与
everything else. As you use this book, I hope you will sense that we are
其他一切。当你使用这本书时，我希望你能感觉到我们
building a “whole” out of smaller “wholes”-a “gestalt” out of smaller
用更小的“整体”构建“整体”——用更小的“整体”构建“完形”
“gestalts.”
“完形。”