DK the peanuts book a visual history of the iconic comic strip标志性漫画的视觉历史-花生漫画

The comic strip Peanuts means different things to different people: for some, it’s all about the crazy antics of Snoopy and Woodstock; others will think of Charlie Brown and his gang of misfits, with their eccentricities and their problems; for many, it’s the animated TV specials that appeared every holiday season (and still do), with the teacher who
漫画《花生》对不同的人来说意味着不同的东西：对一些人来说，它是关于史努比和伍德斯托克的疯狂滑稽动作；其他人会想到查理·布朗和他的一群不合群的人，他们的怪癖和问题；对许多人来说，每逢节假日（现在仍然如此）都会有动画电视特辑出现，而老师则是其中之一
would say, “Wah wah wah.” Everyone with even a passing familiarity with the strip will know some of its key tropes: Charlie Brown’s “good grief” miserabilism, Linus’s security blanket, Schroeder’s piano, Snoopy’s doghouse, Lucy’s psychiatry stand. At its peak, the daily Peanuts comic strip was read by 355 million people in 21 languages across 75 countries. To those who grew up with Peanuts, it remains an indelible part of their makeup.
每一个对这部漫画略知一二的人都会知道它的一些关键比喻：查理·布朗的“好悲伤”悲惨，莱纳斯的安全毯，施罗德的钢琴，史努比的狗屋，露西的精神病院。在其鼎盛时期，《每日花生》漫画在75个国家的21种语言中被3.55亿人阅读。对于那些伴随着花生长大的人来说，花生仍然是他们化妆品中不可磨灭的一部分。

This book explores the world of Peanuts in all its many forms, bringing together some wonderful visual material from the Charles M. Schulz Museum in Santa Rosa, California, some of which has never before
这本书探索了花生世界的各种形式，汇集了查尔斯M。位于加利福尼亚州圣罗莎的舒尔茨博物馆，其中一些以前从未有过
been published. Showcased are original comic strips, preparatory sketches, and other artworks by Schulz—including drawings done when he was at school and in the army during World War II—along with evocative memorabilia from the 1950s to the present day.
已经出版了。展出的是舒尔茨的原创连环漫画、预备草图和其他艺术作品，包括他在二战期间在学校和军队中绘制的图纸，以及从20世纪50年代到今天的令人回忆的纪念品。 Charles M. Schulz was raised during America’s harshest economic downturn, the Great Depression, which lasted for 10 years beginning in 1929. From boyhood, he shared a love of comic strips with his father
查尔斯M。舒尔茨是在美国最严重的经济衰退大萧条时期长大的，大萧条从1929年开始持续了10年。从孩提时代起，他就与父亲共同热爱连环画

and had an ambition to draw one himself. With single-minded focus, Schulz pursued his dream and drew constantly through his youth and into young adulthood, where his first jobs post-war were in the field of art and cartooning.
他有一个雄心壮志，想亲自画一幅。凭借一心一意的专注，舒尔茨追求他的梦想，并在青年时期不断画画，进入青年时期，战后他的第一份工作是在艺术和漫画领域。 Schulz’s first strip, Li’l Folks, ended its run in January 1950. On October, 2, 1950, his new strip, Peanuts, debuted. The first decade of the strip saw its major characters established: Charlie Brown, Lucy, Linus, Schroeder, Snoopy, and Sally. Many of the strip’s major themes were also
舒尔茨的第一部连续剧《Li’l Peoples》于1950年1月结束，1950年10月2日，他的新连续剧《花生》首映。在这部连续剧的第一个十年里，它的主要角色确立了：查理·布朗、露西、莱纳斯、施罗德、史努比和萨利。这部连环漫画的许多主要主题也是

introduced, including Lucy holding the football for Charlie Brown,Snoopy’s happy dance, Lucy’s psychiatry booth, Charlie Brown’s baseball team, Linus’s security blanket and the Great Pumpkin, and Schroeder’s piano. By the end of the decade the strip was established across the United States and beyond.
介绍，包括露西为查理·布朗主持足球、史努比的快乐舞蹈、露西的精神病治疗室、查理·布朗的棒球队、莱纳斯的安全毯和大南瓜，以及施罗德的钢琴。到本世纪末，该地带在美国及其他地区建立起来。 “It seems beyond the comprehension of people that someone can be born to draw comic strips, but I think I was.” —Charles M. Schulz
“人们似乎无法理解一个人生来就可以画连环画，但我想我是的。”-查尔斯M。舒尔茨 The characters in Peanuts have a unique anatomy that helped them to stand out on crowded newspaper pages. In 1950, most child characters in comic strips, such as Hank Ketcham’s Dennis the Menace, were three heads tall with relatively normal proportions. Schulz’s characters were just two heads tall, with heads that were about the same height as the rest of their bodies. Despite his remarkably consistent penwork
《花生》中的人物有着独特的解剖结构，帮助他们在拥挤的报纸版面上脱颖而出。1950年，连环漫画中的大多数儿童角色，如汉克·凯查姆（Hank Ketcham）的《丹尼斯的威胁》（Dennis the Nemage），都有三个头高，比例相对正常。舒尔茨笔下的人物只有两个头高，头与身体其他部分的高度大致相同。尽管他的笔迹非常连贯
and art style, changes did take place over the years. “Every cartoonist refines and changes his characters as he goes along,” said Schulz in 1975.
在艺术风格方面，这些年来确实发生了变化。”每一位漫画家都会在创作过程中不断完善和改变自己的角色，”舒尔茨在1975年说。

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